English I Quiz 2: 3 December 2023 (September 2023 term)

Read the following passage and answer the given subquestions.
Since its invention a little over 130 years ago, the interview has become a commonplace of journalism. Today, almost everybody who is literate will have read an interview at some point in their lives, while from the other point of view, several thousand celebrities have been interviewed over the years, some of them repeatedly. So it is hardly surprising that opinions of the interview — of its functions, methods and merits — vary considerably. Some might make quite extravagant claims for it as being, in its highest form, a source of truth, and, in its practice, an art. Others, usually celebrities who see themselves as its victims, might despise the interview as an unwarranted intrusion into their lives, or feel that it somehow diminishes them, just as in some primitive cultures it is believed that if one takes a photographic portrait of somebody then one is stealing that person’s soul. V. S. Naipaul ‘feels that some people are wounded by interviews and lose a part of themselves’. Lewis Carroll, the creator of Alice in Wonderland, was said to have had ‘a just horror of the interviewer’ and he never consented to be interviewed — It was his horror of being lionized which made him thus repel would-be acquaintances, interviewers, and the persistent petitioners for his autograph and he would afterwards relate the stories of his success in silencing all such people with much satisfaction and amusement. Rudyard Kipling expressed an even more condemnatory attitude towards the interviewer. His wife, Caroline, writes in her diary for 14 October 1892 that their day was ‘wrecked by two reporters from Boston’. She reports her husband as saying to the reporters, “Why do I refuse to be interviewed? Because it is immoral! It is a crime, just as much of a crime as an offence against my person, as an assault, and just as much merits punishment. It is cowardly and vile. No respectable man would ask it, much less give it,” Yet Kipling had himself perpetrated such an ‘assault’ on Mark Twain only a few years before. H. G. Wells in an interview in 1894 referred to ‘the interviewing ordeal’, but was a fairly frequent interviewee and forty years later found himself interviewing Joseph Stalin. Saul Bellow, who has consented to be interviewed on several occasions, nevertheless once described interviews as being like thumbprints on his windpipe. Yet despite the drawbacks of the interview, it is a supremely serviceable medium of communication. “These days, more than at any other time, our most vivid impressions of our contemporaries are through interviews,” Denis Brian has written. “Almost everything of moment reaches us through one man asking questions of another. Because of this, the interviewer holds a position of unprecedented power and influence.”
The Interview- Christopher Silvester

What is the meaning of “commonplace” ?

Read the following passage and answer the given subquestions.
Since its invention a little over 130 years ago, the interview has become a commonplace of journalism. Today, almost everybody who is literate will have read an interview at some point in their lives, while from the other point of view, several thousand celebrities have been interviewed over the years, some of them repeatedly. So it is hardly surprising that opinions of the interview — of its functions, methods and merits — vary considerably. Some might make quite extravagant claims for it as being, in its highest form, a source of truth, and, in its practice, an art. Others, usually celebrities who see themselves as its victims, might despise the interview as an unwarranted intrusion into their lives, or feel that it somehow diminishes them, just as in some primitive cultures it is believed that if one takes a photographic portrait of somebody then one is stealing that person’s soul. V. S. Naipaul ‘feels that some people are wounded by interviews and lose a part of themselves’. Lewis Carroll, the creator of Alice in Wonderland, was said to have had ‘a just horror of the interviewer’ and he never consented to be interviewed — It was his horror of being lionized which made him thus repel would-be acquaintances, interviewers, and the persistent petitioners for his autograph and he would afterwards relate the stories of his success in silencing all such people with much satisfaction and amusement. Rudyard Kipling expressed an even more condemnatory attitude towards the interviewer. His wife, Caroline, writes in her diary for 14 October 1892 that their day was ‘wrecked by two reporters from Boston’. She reports her husband as saying to the reporters, “Why do I refuse to be interviewed? Because it is immoral! It is a crime, just as much of a crime as an offence against my person, as an assault, and just as much merits punishment. It is cowardly and vile. No respectable man would ask it, much less give it,” Yet Kipling had himself perpetrated such an ‘assault’ on Mark Twain only a few years before. H. G. Wells in an interview in 1894 referred to ‘the interviewing ordeal’, but was a fairly frequent interviewee and forty years later found himself interviewing Joseph Stalin. Saul Bellow, who has consented to be interviewed on several occasions, nevertheless once described interviews as being like thumbprints on his windpipe. Yet despite the drawbacks of the interview, it is a supremely serviceable medium of communication. “These days, more than at any other time, our most vivid impressions of our contemporaries are through interviews,” Denis Brian has written. “Almost everything of moment reaches us through one man asking questions of another. Because of this, the interviewer holds a position of unprecedented power and influence.”
The Interview- Christopher Silvester

Read the passage and choose the correct statement out of the following.

Read the following passage and answer the given subquestions.
Since its invention a little over 130 years ago, the interview has become a commonplace of journalism. Today, almost everybody who is literate will have read an interview at some point in their lives, while from the other point of view, several thousand celebrities have been interviewed over the years, some of them repeatedly. So it is hardly surprising that opinions of the interview — of its functions, methods and merits — vary considerably. Some might make quite extravagant claims for it as being, in its highest form, a source of truth, and, in its practice, an art. Others, usually celebrities who see themselves as its victims, might despise the interview as an unwarranted intrusion into their lives, or feel that it somehow diminishes them, just as in some primitive cultures it is believed that if one takes a photographic portrait of somebody then one is stealing that person’s soul. V. S. Naipaul ‘feels that some people are wounded by interviews and lose a part of themselves’. Lewis Carroll, the creator of Alice in Wonderland, was said to have had ‘a just horror of the interviewer’ and he never consented to be interviewed — It was his horror of being lionized which made him thus repel would-be acquaintances, interviewers, and the persistent petitioners for his autograph and he would afterwards relate the stories of his success in silencing all such people with much satisfaction and amusement. Rudyard Kipling expressed an even more condemnatory attitude towards the interviewer. His wife, Caroline, writes in her diary for 14 October 1892 that their day was ‘wrecked by two reporters from Boston’. She reports her husband as saying to the reporters, “Why do I refuse to be interviewed? Because it is immoral! It is a crime, just as much of a crime as an offence against my person, as an assault, and just as much merits punishment. It is cowardly and vile. No respectable man would ask it, much less give it,” Yet Kipling had himself perpetrated such an ‘assault’ on Mark Twain only a few years before. H. G. Wells in an interview in 1894 referred to ‘the interviewing ordeal’, but was a fairly frequent interviewee and forty years later found himself interviewing Joseph Stalin. Saul Bellow, who has consented to be interviewed on several occasions, nevertheless once described interviews as being like thumbprints on his windpipe. Yet despite the drawbacks of the interview, it is a supremely serviceable medium of communication. “These days, more than at any other time, our most vivid impressions of our contemporaries are through interviews,” Denis Brian has written. “Almost everything of moment reaches us through one man asking questions of another. Because of this, the interviewer holds a position of unprecedented power and influence.”
The Interview- Christopher Silvester

What is the meaning of “unwarranted” ?

Read the following passage and answer the given subquestions.
Since its invention a little over 130 years ago, the interview has become a commonplace of journalism. Today, almost everybody who is literate will have read an interview at some point in their lives, while from the other point of view, several thousand celebrities have been interviewed over the years, some of them repeatedly. So it is hardly surprising that opinions of the interview — of its functions, methods and merits — vary considerably. Some might make quite extravagant claims for it as being, in its highest form, a source of truth, and, in its practice, an art. Others, usually celebrities who see themselves as its victims, might despise the interview as an unwarranted intrusion into their lives, or feel that it somehow diminishes them, just as in some primitive cultures it is believed that if one takes a photographic portrait of somebody then one is stealing that person’s soul. V. S. Naipaul ‘feels that some people are wounded by interviews and lose a part of themselves’. Lewis Carroll, the creator of Alice in Wonderland, was said to have had ‘a just horror of the interviewer’ and he never consented to be interviewed — It was his horror of being lionized which made him thus repel would-be acquaintances, interviewers, and the persistent petitioners for his autograph and he would afterwards relate the stories of his success in silencing all such people with much satisfaction and amusement. Rudyard Kipling expressed an even more condemnatory attitude towards the interviewer. His wife, Caroline, writes in her diary for 14 October 1892 that their day was ‘wrecked by two reporters from Boston’. She reports her husband as saying to the reporters, “Why do I refuse to be interviewed? Because it is immoral! It is a crime, just as much of a crime as an offence against my person, as an assault, and just as much merits punishment. It is cowardly and vile. No respectable man would ask it, much less give it,” Yet Kipling had himself perpetrated such an ‘assault’ on Mark Twain only a few years before. H. G. Wells in an interview in 1894 referred to ‘the interviewing ordeal’, but was a fairly frequent interviewee and forty years later found himself interviewing Joseph Stalin. Saul Bellow, who has consented to be interviewed on several occasions, nevertheless once described interviews as being like thumbprints on his windpipe. Yet despite the drawbacks of the interview, it is a supremely serviceable medium of communication. “These days, more than at any other time, our most vivid impressions of our contemporaries are through interviews,” Denis Brian has written. “Almost everything of moment reaches us through one man asking questions of another. Because of this, the interviewer holds a position of unprecedented power and influence.”
The Interview- Christopher Silvester

What is the belief in some primitive cultures about being photographed?

Read the following passage and answer the given subquestions.
Since its invention a little over 130 years ago, the interview has become a commonplace of journalism. Today, almost everybody who is literate will have read an interview at some point in their lives, while from the other point of view, several thousand celebrities have been interviewed over the years, some of them repeatedly. So it is hardly surprising that opinions of the interview — of its functions, methods and merits — vary considerably. Some might make quite extravagant claims for it as being, in its highest form, a source of truth, and, in its practice, an art. Others, usually celebrities who see themselves as its victims, might despise the interview as an unwarranted intrusion into their lives, or feel that it somehow diminishes them, just as in some primitive cultures it is believed that if one takes a photographic portrait of somebody then one is stealing that person’s soul. V. S. Naipaul ‘feels that some people are wounded by interviews and lose a part of themselves’. Lewis Carroll, the creator of Alice in Wonderland, was said to have had ‘a just horror of the interviewer’ and he never consented to be interviewed — It was his horror of being lionized which made him thus repel would-be acquaintances, interviewers, and the persistent petitioners for his autograph and he would afterwards relate the stories of his success in silencing all such people with much satisfaction and amusement. Rudyard Kipling expressed an even more condemnatory attitude towards the interviewer. His wife, Caroline, writes in her diary for 14 October 1892 that their day was ‘wrecked by two reporters from Boston’. She reports her husband as saying to the reporters, “Why do I refuse to be interviewed? Because it is immoral! It is a crime, just as much of a crime as an offence against my person, as an assault, and just as much merits punishment. It is cowardly and vile. No respectable man would ask it, much less give it,” Yet Kipling had himself perpetrated such an ‘assault’ on Mark Twain only a few years before. H. G. Wells in an interview in 1894 referred to ‘the interviewing ordeal’, but was a fairly frequent interviewee and forty years later found himself interviewing Joseph Stalin. Saul Bellow, who has consented to be interviewed on several occasions, nevertheless once described interviews as being like thumbprints on his windpipe. Yet despite the drawbacks of the interview, it is a supremely serviceable medium of communication. “These days, more than at any other time, our most vivid impressions of our contemporaries are through interviews,” Denis Brian has written. “Almost everything of moment reaches us through one man asking questions of another. Because of this, the interviewer holds a position of unprecedented power and influence.”
The Interview- Christopher Silvester

What is the meaning of “lionized”?

Read the following passage and answer the given subquestions.
Since its invention a little over 130 years ago, the interview has become a commonplace of journalism. Today, almost everybody who is literate will have read an interview at some point in their lives, while from the other point of view, several thousand celebrities have been interviewed over the years, some of them repeatedly. So it is hardly surprising that opinions of the interview — of its functions, methods and merits — vary considerably. Some might make quite extravagant claims for it as being, in its highest form, a source of truth, and, in its practice, an art. Others, usually celebrities who see themselves as its victims, might despise the interview as an unwarranted intrusion into their lives, or feel that it somehow diminishes them, just as in some primitive cultures it is believed that if one takes a photographic portrait of somebody then one is stealing that person’s soul. V. S. Naipaul ‘feels that some people are wounded by interviews and lose a part of themselves’. Lewis Carroll, the creator of Alice in Wonderland, was said to have had ‘a just horror of the interviewer’ and he never consented to be interviewed — It was his horror of being lionized which made him thus repel would-be acquaintances, interviewers, and the persistent petitioners for his autograph and he would afterwards relate the stories of his success in silencing all such people with much satisfaction and amusement. Rudyard Kipling expressed an even more condemnatory attitude towards the interviewer. His wife, Caroline, writes in her diary for 14 October 1892 that their day was ‘wrecked by two reporters from Boston’. She reports her husband as saying to the reporters, “Why do I refuse to be interviewed? Because it is immoral! It is a crime, just as much of a crime as an offence against my person, as an assault, and just as much merits punishment. It is cowardly and vile. No respectable man would ask it, much less give it,” Yet Kipling had himself perpetrated such an ‘assault’ on Mark Twain only a few years before. H. G. Wells in an interview in 1894 referred to ‘the interviewing ordeal’, but was a fairly frequent interviewee and forty years later found himself interviewing Joseph Stalin. Saul Bellow, who has consented to be interviewed on several occasions, nevertheless once described interviews as being like thumbprints on his windpipe. Yet despite the drawbacks of the interview, it is a supremely serviceable medium of communication. “These days, more than at any other time, our most vivid impressions of our contemporaries are through interviews,” Denis Brian has written. “Almost everything of moment reaches us through one man asking questions of another. Because of this, the interviewer holds a position of unprecedented power and influence.”
The Interview- Christopher Silvester

Which one of the following authors feels that ‘some people are wounded by interviews and lose a part of themselves’?

Read the following passage and answer the given subquestions.
Since its invention a little over 130 years ago, the interview has become a commonplace of journalism. Today, almost everybody who is literate will have read an interview at some point in their lives, while from the other point of view, several thousand celebrities have been interviewed over the years, some of them repeatedly. So it is hardly surprising that opinions of the interview — of its functions, methods and merits — vary considerably. Some might make quite extravagant claims for it as being, in its highest form, a source of truth, and, in its practice, an art. Others, usually celebrities who see themselves as its victims, might despise the interview as an unwarranted intrusion into their lives, or feel that it somehow diminishes them, just as in some primitive cultures it is believed that if one takes a photographic portrait of somebody then one is stealing that person’s soul. V. S. Naipaul ‘feels that some people are wounded by interviews and lose a part of themselves’. Lewis Carroll, the creator of Alice in Wonderland, was said to have had ‘a just horror of the interviewer’ and he never consented to be interviewed — It was his horror of being lionized which made him thus repel would-be acquaintances, interviewers, and the persistent petitioners for his autograph and he would afterwards relate the stories of his success in silencing all such people with much satisfaction and amusement. Rudyard Kipling expressed an even more condemnatory attitude towards the interviewer. His wife, Caroline, writes in her diary for 14 October 1892 that their day was ‘wrecked by two reporters from Boston’. She reports her husband as saying to the reporters, “Why do I refuse to be interviewed? Because it is immoral! It is a crime, just as much of a crime as an offence against my person, as an assault, and just as much merits punishment. It is cowardly and vile. No respectable man would ask it, much less give it,” Yet Kipling had himself perpetrated such an ‘assault’ on Mark Twain only a few years before. H. G. Wells in an interview in 1894 referred to ‘the interviewing ordeal’, but was a fairly frequent interviewee and forty years later found himself interviewing Joseph Stalin. Saul Bellow, who has consented to be interviewed on several occasions, nevertheless once described interviews as being like thumbprints on his windpipe. Yet despite the drawbacks of the interview, it is a supremely serviceable medium of communication. “These days, more than at any other time, our most vivid impressions of our contemporaries are through interviews,” Denis Brian has written. “Almost everything of moment reaches us through one man asking questions of another. Because of this, the interviewer holds a position of unprecedented power and influence.”
The Interview- Christopher Silvester

Who wrote “Alice in Wonderland” ?

Read the following passage and answer the given subquestions.
Since its invention a little over 130 years ago, the interview has become a commonplace of journalism. Today, almost everybody who is literate will have read an interview at some point in their lives, while from the other point of view, several thousand celebrities have been interviewed over the years, some of them repeatedly. So it is hardly surprising that opinions of the interview — of its functions, methods and merits — vary considerably. Some might make quite extravagant claims for it as being, in its highest form, a source of truth, and, in its practice, an art. Others, usually celebrities who see themselves as its victims, might despise the interview as an unwarranted intrusion into their lives, or feel that it somehow diminishes them, just as in some primitive cultures it is believed that if one takes a photographic portrait of somebody then one is stealing that person’s soul. V. S. Naipaul ‘feels that some people are wounded by interviews and lose a part of themselves’. Lewis Carroll, the creator of Alice in Wonderland, was said to have had ‘a just horror of the interviewer’ and he never consented to be interviewed — It was his horror of being lionized which made him thus repel would-be acquaintances, interviewers, and the persistent petitioners for his autograph and he would afterwards relate the stories of his success in silencing all such people with much satisfaction and amusement. Rudyard Kipling expressed an even more condemnatory attitude towards the interviewer. His wife, Caroline, writes in her diary for 14 October 1892 that their day was ‘wrecked by two reporters from Boston’. She reports her husband as saying to the reporters, “Why do I refuse to be interviewed? Because it is immoral! It is a crime, just as much of a crime as an offence against my person, as an assault, and just as much merits punishment. It is cowardly and vile. No respectable man would ask it, much less give it,” Yet Kipling had himself perpetrated such an ‘assault’ on Mark Twain only a few years before. H. G. Wells in an interview in 1894 referred to ‘the interviewing ordeal’, but was a fairly frequent interviewee and forty years later found himself interviewing Joseph Stalin. Saul Bellow, who has consented to be interviewed on several occasions, nevertheless once described interviews as being like thumbprints on his windpipe. Yet despite the drawbacks of the interview, it is a supremely serviceable medium of communication. “These days, more than at any other time, our most vivid impressions of our contemporaries are through interviews,” Denis Brian has written. “Almost everything of moment reaches us through one man asking questions of another. Because of this, the interviewer holds a position of unprecedented power and influence.”
The Interview- Christopher Silvester

Select true or false for the following statement.
Rudyard Kipling loved to give interviews.

Read the following passage and answer the given subquestions.
Since its invention a little over 130 years ago, the interview has become a commonplace of journalism. Today, almost everybody who is literate will have read an interview at some point in their lives, while from the other point of view, several thousand celebrities have been interviewed over the years, some of them repeatedly. So it is hardly surprising that opinions of the interview — of its functions, methods and merits — vary considerably. Some might make quite extravagant claims for it as being, in its highest form, a source of truth, and, in its practice, an art. Others, usually celebrities who see themselves as its victims, might despise the interview as an unwarranted intrusion into their lives, or feel that it somehow diminishes them, just as in some primitive cultures it is believed that if one takes a photographic portrait of somebody then one is stealing that person’s soul. V. S. Naipaul ‘feels that some people are wounded by interviews and lose a part of themselves’. Lewis Carroll, the creator of Alice in Wonderland, was said to have had ‘a just horror of the interviewer’ and he never consented to be interviewed — It was his horror of being lionized which made him thus repel would-be acquaintances, interviewers, and the persistent petitioners for his autograph and he would afterwards relate the stories of his success in silencing all such people with much satisfaction and amusement. Rudyard Kipling expressed an even more condemnatory attitude towards the interviewer. His wife, Caroline, writes in her diary for 14 October 1892 that their day was ‘wrecked by two reporters from Boston’. She reports her husband as saying to the reporters, “Why do I refuse to be interviewed? Because it is immoral! It is a crime, just as much of a crime as an offence against my person, as an assault, and just as much merits punishment. It is cowardly and vile. No respectable man would ask it, much less give it,” Yet Kipling had himself perpetrated such an ‘assault’ on Mark Twain only a few years before. H. G. Wells in an interview in 1894 referred to ‘the interviewing ordeal’, but was a fairly frequent interviewee and forty years later found himself interviewing Joseph Stalin. Saul Bellow, who has consented to be interviewed on several occasions, nevertheless once described interviews as being like thumbprints on his windpipe. Yet despite the drawbacks of the interview, it is a supremely serviceable medium of communication. “These days, more than at any other time, our most vivid impressions of our contemporaries are through interviews,” Denis Brian has written. “Almost everything of moment reaches us through one man asking questions of another. Because of this, the interviewer holds a position of unprecedented power and influence.”
The Interview- Christopher Silvester

Which of the following authors used the expression “thumbprints on his windpipe” ?

Read the following passage and answer the given subquestions.
Since its invention a little over 130 years ago, the interview has become a commonplace of journalism. Today, almost everybody who is literate will have read an interview at some point in their lives, while from the other point of view, several thousand celebrities have been interviewed over the years, some of them repeatedly. So it is hardly surprising that opinions of the interview — of its functions, methods and merits — vary considerably. Some might make quite extravagant claims for it as being, in its highest form, a source of truth, and, in its practice, an art. Others, usually celebrities who see themselves as its victims, might despise the interview as an unwarranted intrusion into their lives, or feel that it somehow diminishes them, just as in some primitive cultures it is believed that if one takes a photographic portrait of somebody then one is stealing that person’s soul. V. S. Naipaul ‘feels that some people are wounded by interviews and lose a part of themselves’. Lewis Carroll, the creator of Alice in Wonderland, was said to have had ‘a just horror of the interviewer’ and he never consented to be interviewed — It was his horror of being lionized which made him thus repel would-be acquaintances, interviewers, and the persistent petitioners for his autograph and he would afterwards relate the stories of his success in silencing all such people with much satisfaction and amusement. Rudyard Kipling expressed an even more condemnatory attitude towards the interviewer. His wife, Caroline, writes in her diary for 14 October 1892 that their day was ‘wrecked by two reporters from Boston’. She reports her husband as saying to the reporters, “Why do I refuse to be interviewed? Because it is immoral! It is a crime, just as much of a crime as an offence against my person, as an assault, and just as much merits punishment. It is cowardly and vile. No respectable man would ask it, much less give it,” Yet Kipling had himself perpetrated such an ‘assault’ on Mark Twain only a few years before. H. G. Wells in an interview in 1894 referred to ‘the interviewing ordeal’, but was a fairly frequent interviewee and forty years later found himself interviewing Joseph Stalin. Saul Bellow, who has consented to be interviewed on several occasions, nevertheless once described interviews as being like thumbprints on his windpipe. Yet despite the drawbacks of the interview, it is a supremely serviceable medium of communication. “These days, more than at any other time, our most vivid impressions of our contemporaries are through interviews,” Denis Brian has written. “Almost everything of moment reaches us through one man asking questions of another. Because of this, the interviewer holds a position of unprecedented power and influence.”
The Interview- Christopher Silvester

“These days, more than at any other time, our most vivid impressions of our contemporaries are through interviews.” Who said this?

Listen to the audio sample and answer the given subquestions.

885_640653_0_1984128_hs1001t3f2e1s1q3.mp3

How many syllables are in the word ‘restaurateur’?

Listen to the audio sample and answer the given subquestions.

885_640653_0_1984128_hs1001t3f2e1s1q3.mp3

What percentage of his business does the restaurant owner feel he would lose?

Listen to the audio sample and answer the given subquestions.

885_640653_0_1984128_hs1001t3f2e1s1q3.mp3

Where do 90% of sushi imports into Hong Kong come from?

Listen to the audio sample and answer the given subquestions.

885_640653_0_1984128_hs1001t3f2e1s1q3.mp3

Why the opposition to the release of water from the nuclear reactor?

Listen to the audio sample and answer the given subquestions.

885_640653_0_1984128_hs1001t3f2e1s1q3.mp3

What seems to be the reason stated by the second interviewee for continuing to eat sea food despite contamination?

Listen to the audio sample and answer the given subquestions.

885_640653_0_1984128_hs1001t3f2e1s1q3.mp3

What is the meaning of the word salvage in the phrase "salvage business by adding more meat"?

Listen to the audio sample and answer the given subquestions.

885_640653_0_1984128_hs1001t3f2e1s1q3.mp3

How many syllables are in the word ‘cautious’ ?

Listen to the audio sample and answer the given subquestions.

885_640653_0_1984128_hs1001t3f2e1s1q3.mp3

What is the antonym of the word ‘wrecked’ ?

Listen to the audio sample and answer the given subquestions.

885_640653_0_1984128_hs1001t3f2e1s1q3.mp3

What is the meaning of the word ‘watchdog’ in the context used in the audio?

Listen to the audio sample and answer the given subquestions.

885_640653_0_1984128_hs1001t3f2e1s1q3.mp3

Why has Japan asked Hong Kong not to restrict food imports?

Read the excerpt given below and answer the given subquestions with those forms of the verbs which best fit the passage from the options provided. Your chosen answer should maintain the tense consistency of the excerpt.
Daniel Boone was a boy who lived on the edge of the deep woods in Pennsylvania. One day he (i) _____ of his father's cattle. The pasture was several miles from the settlement. Although Daniel was a ten-year-old boy, he sometimes (ii) _____ lonely by himself. Today he lay on a hillside and sang aloud. There was a low laugh behind him. Daniel (iii) _____ to his feet. A tall, slim Indian boy stood a few feet away.
"I sing, too," the young Indian said. He (iv) _____ back his head and sang. Daniel could not understand a word.
"I sing to the sun and the wind and the rain," the boy explained."I like your Indian song," Daniel said, "but I (v) _____ glad you speak English."

Find the appropriate verb form to fill in blank (i)

Read the excerpt given below and answer the given subquestions with those forms of the verbs which best fit the passage from the options provided. Your chosen answer should maintain the tense consistency of the excerpt.
Daniel Boone was a boy who lived on the edge of the deep woods in Pennsylvania. One day he (i) _____ of his father's cattle. The pasture was several miles from the settlement. Although Daniel was a ten-year-old boy, he sometimes (ii) _____ lonely by himself. Today he lay on a hillside and sang aloud. There was a low laugh behind him. Daniel (iii) _____ to his feet. A tall, slim Indian boy stood a few feet away.
"I sing, too," the young Indian said. He (iv) _____ back his head and sang. Daniel could not understand a word.
"I sing to the sun and the wind and the rain," the boy explained."I like your Indian song," Daniel said, "but I (v) _____ glad you speak English."

Find the appropriate verb form to fill in blank (ii)

Read the excerpt given below and answer the given subquestions with those forms of the verbs which best fit the passage from the options provided. Your chosen answer should maintain the tense consistency of the excerpt.
Daniel Boone was a boy who lived on the edge of the deep woods in Pennsylvania. One day he (i) _____ of his father's cattle. The pasture was several miles from the settlement. Although Daniel was a ten-year-old boy, he sometimes (ii) _____ lonely by himself. Today he lay on a hillside and sang aloud. There was a low laugh behind him. Daniel (iii) _____ to his feet. A tall, slim Indian boy stood a few feet away.
"I sing, too," the young Indian said. He (iv) _____ back his head and sang. Daniel could not understand a word.
"I sing to the sun and the wind and the rain," the boy explained."I like your Indian song," Daniel said, "but I (v) _____ glad you speak English."

Find the appropriate verb form to fill in blank (iii)

Read the excerpt given below and answer the given subquestions with those forms of the verbs which best fit the passage from the options provided. Your chosen answer should maintain the tense consistency of the excerpt.
Daniel Boone was a boy who lived on the edge of the deep woods in Pennsylvania. One day he (i) _____ of his father's cattle. The pasture was several miles from the settlement. Although Daniel was a ten-year-old boy, he sometimes (ii) _____ lonely by himself. Today he lay on a hillside and sang aloud. There was a low laugh behind him. Daniel (iii) _____ to his feet. A tall, slim Indian boy stood a few feet away.
"I sing, too," the young Indian said. He (iv) _____ back his head and sang. Daniel could not understand a word.
"I sing to the sun and the wind and the rain," the boy explained."I like your Indian song," Daniel said, "but I (v) _____ glad you speak English."

Find the appropriate verb form to fill in blank (iv)

Read the excerpt given below and answer the given subquestions with those forms of the verbs which best fit the passage from the options provided. Your chosen answer should maintain the tense consistency of the excerpt.
Daniel Boone was a boy who lived on the edge of the deep woods in Pennsylvania. One day he (i) _____ of his father's cattle. The pasture was several miles from the settlement. Although Daniel was a ten-year-old boy, he sometimes (ii) _____ lonely by himself. Today he lay on a hillside and sang aloud. There was a low laugh behind him. Daniel (iii) _____ to his feet. A tall, slim Indian boy stood a few feet away.
"I sing, too," the young Indian said. He (iv) _____ back his head and sang. Daniel could not understand a word.
"I sing to the sun and the wind and the rain," the boy explained."I like your Indian song," Daniel said, "but I (v) _____ glad you speak English."

Find the appropriate verb form to fill in blank (v)

A woman called Hasna ___________ down at the bus stop Hasle.

Mobile phones ___________ our attention span.

Choose the right answer.
My friend __________ coffee when I entered the room.

‘Either Peter or his friend is going to a movie.’ In this sentence, there is subject-verb agreement.

Choose the correct option.
Tomorrow morning, I _______ on a beach somewhere.

How many syllables are there in the word ‘Fascination’?

How many syllables are there in the word ‘curtailment’?

How many syllables are there in the word ‘Construction’?

The word telegraphy is stressed as ______.

‘The officers could not transmit the information because the console was damaged from someone spilling tea.’
Choose the appropriate stress for the usage of the word ‘console’ in the sentence.

In the plural noun ‘brothers’, the plural marker sounds as ________.

The plural markers for the words ‘habitats’, ‘rainforests’, and ‘ecosystems’ are ___.

Which of the following has an aspirated stop?

The compound word ‘swimming pool’ is stressed on the ___________.

The word ‘distribute’ is ___.